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Sony 85mm f1.8

Great lens! Affordable, sharp, well constructed, and light.  Good for portraits and general use.

 

Reviews:

 

 

Sample images:

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Back home from a class reunion

My high school — the International School of Bangkok Thailand — where I graduated in 1968, has an all classes reunion every other year in different cities all across the USA.  This year it was in Scottsdale Arizona, a suburb of Phoenix.  I was asked to do photography work at the reunion, including organizing and shooting this group shot in the grounds of the hotel we stayed at.  I also did all of the class photos for indiviual classes and class groups, and over 150 candid shots that were posted on the ISB Network’s Facebook page.  It was fun an d rewarding work, aknd it is good to be back home!

I am pleased with how this group shot turned out.  I used my Sony A7R3 camera with my Tamron 28-75mm f2.8 lens.

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Tamron 28-75mm f/2.8 Di III RXD

Tamron 28-75mm f/2.8 Di III RXD

This lens is amazing. I have the Sony 24-70mm f4  and I thought it was a bit under-rated given my experience with the lens, which gave excellent results. More recently I got this Tamron lens, which really blows the Sony out of the water. The Tamrom is an inch longer than the Sony un-extended, as one might expect given the larger maximum aperature of the former. But in all other rpspects — build, performance and value — the Tamrom 28-75mm f2,8 is a superior lens.

Here is how the makers describe it:

Spectacular optical performance for inspiring creativity

The second, comprehensively updated generation of the high-speed standard zoom lens

The 28-75mm F/2.8 Di III VXD G2 (model A063) is a fast standard zoom lens for mirrorless full format system cameras from Sony and the successor to the popular 28-75mm F/2.8 Di III RXD (model A036). A high resolution and an outstanding image quality are among its most important innovations. The new lens has a revised optical system, but is just as compact as the previous model. The optical structure includes LD (Low Dispersion) and GM (Glass Molded Aspherical) lens elements to minimize aberrations. The imaging performance is very high at every focal length and over the entire image area. When the aperture is open, there is a beautiful bokeh effect. With these and many other innovations, the 28- 75mm F/2.8 G2 is the first choice for everyone who wants to maximize their creativity.

Professional reviews

CameraLabs

DPR Review

Fstoppers

Phoblographer

Sample images

 

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Sony 28mm f2.0

This wide angle lens has two optional adaptors, both of which I have in my collection. One is an ultra-wide angle converter and the other is a fish-eye converter.  The first increases the angle to 21mm and the second increases the angle to 16mm.

I want to say I have been a bit underwhelmed by this kit. That said I have gotten some interesting results (see samples below). The 2/28mm gets a 4.22 overall rating on Dyxum, with 4.68 for sharpness.  But the lens gives too much distortion yielding a rating of 3.46 in this category.

It is easy enough to snap on the ultra wide angle or fish eye adaptors.  These provide for some unique shots suitable for creative photography.

Here is Sony’s promotional blurb:

An excellent choice as a second lens to supplement a basic lens kit, featuring a bright F2.0 maximum aperture and outstanding overall optical performance.

Professional reviews:

Phillip Reeve

Ken Rockwell

Sample images:
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Sony SEL24F14GM FE 24 mm f/1.4 GM

Sony SEL24F14GM FE 24 mm f/1.4 GM

This is one of Sony’s very best full-frrame lenses.  It ranks at or near the top of the list in all categories — overall, sharpness, color, build, distortion and flare control.  Dyxum user ratings give it a five out of five in all these categories.

Sony’s blurb:

Unsparing application of leading-edge technology achieves refined G Master performance with consistently high resolution and soft, natural bokeh even at the widest F1.4 aperture setting.

 

Professional Reviews

Dustin Abbott

Photography Life

Phillipe Reeve

 

Sample images

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Sony SLT A77V

 

 

 

Sony SLT-A77V

I have had this excellent Single Lens Translucent crop-framed camera since 2014. It has served me well with both native Sony lens and high-end Minolta glass. I have used it for all kinds of photography modes — street, landscape, portrait, wildlife and macro photography. Some of my best shots have been taken with this camera paired with my Sony 55-300mm zoom lens, and Minolta 200mm f2.8 APO lens and my Minolta Smooth Trans Focus 135mm f2.8 (4.5) lens.

Professional Reviews

Sample images